shooting an elephant essays

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A full set of resources to accompany this feature can be downloaded for free here. Calling all English teachers: does this sound familiar? As structure gcse english lit essay go through extracts in the last lesson on Friday afternoon, you ask carefully crafted questions, and note with satisfaction how students shoot their hands up in a flash, like Barry Allen on the run. Later, back at home, you mark them. What went wrong?

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Shooting an elephant essays

When a nimble Burman tripped me up on the football field and the referee another Burman looked the other way, the crowd yelled with hideous laughter. This happened more than once. In the end the sneering yellow faces of young men that met me everywhere, the insults hooted after me when I was at a safe distance, got badly on my nerves.

The young Buddhist priests were the worst of all. There were several thousands of them in the town and none of them seemed to have anything to do except stand on street corners and jeer at Europeans. All this was perplexing and upsetting. For at that time I had already made up my mind that imperialism was an evil thing and the sooner I chucked up my job and got out of it the better. Theoretically — and secretly, of course — I was all for the Burmese and all against their oppressors, the British.

As for the job I was doing, I hated it more bitterly than I can perhaps make clear. In a job like that you see the dirty work of Empire at close quarters. The wretched prisoners huddling in the stinking cages of the lock-ups, the grey, cowed faces of the long-term convicts, the scarred buttocks of the men who had been Bogged with bamboos — all these oppressed me with an intolerable sense of guilt.

But I could get nothing into perspective. I was young and ill-educated and I had had to think out my problems in the utter silence that is imposed on every Englishman in the East. I did not even know that the British Empire is dying, still less did I know that it is a great deal better than the younger empires that are going to supplant it. All I knew was that I was stuck between my hatred of the empire I served and my rage against the evil-spirited little beasts who tried to make my job impossible.

Feelings like these are the normal by-products of imperialism; ask any Anglo-Indian official, if you can catch him off duty. One day something happened which in a roundabout way was enlightening. It was a tiny incident in itself, but it gave me a better glimpse than I had had before of the real nature of imperialism — the real motives for which despotic governments act.

Early one morning the sub-inspector at a police station the other end of the town rang me up on the phone and said that an elephant was ravaging the bazaar. Would I please come and do something about it? I did not know what I could do, but I wanted to see what was happening and I got on to a pony and started out. I took my rifle, an old 44 Winchester and much too small to kill an elephant, but I thought the noise might be useful in terrorem.

The Burmese population had no weapons and were quite helpless against it. The Burmese sub-inspector and some Indian constables were waiting for me in the quarter where the elephant had been seen. It was a very poor quarter, a labyrinth of squalid bamboo huts, thatched with palmleaf, winding all over a steep hillside.

I remember that it was a cloudy, stuffy morning at the beginning of the rains. We began questioning the people as to where the elephant had gone and, as usual, failed to get any definite information. That is invariably the case in the East; a story always sounds clear enough at a distance, but the nearer you get to the scene of events the vaguer it becomes. Some of the people said that the elephant had gone in one direction, some said that he had gone in another, some professed not even to have heard of any elephant.

I had almost made up my mind that the whole story was a pack of lies, when we heard yells a little distance away. Go away this instant! Some more women followed, clicking their tongues and exclaiming; evidently there was something that the children ought not to have seen. He was an Indian, a black Dravidian coolie, almost naked, and he could not have been dead many minutes. The people said that the elephant had come suddenly upon him round the corner of the hut, caught him with its trunk, put its foot on his back and ground him into the earth.

This was the rainy season and the ground was soft, and his face had scored a trench a foot deep and a couple of yards long. He was lying on his belly with arms crucified and head sharply twisted to one side. His face was coated with mud, the eyes wide open, the teeth bared and grinning with an expression of unendurable agony.

Never tell me, by the way, that the dead look peaceful. Most of the corpses I have seen looked devilish. I had already sent back the pony, not wanting it to go mad with fright and throw me if it smelt the elephant. The orderly came back in a few minutes with a rifle and five cartridges, and meanwhile some Burmans had arrived and told us that the elephant was in the paddy fields below, only a few hundred yards away.

As I started forward practically the whole population of the quarter flocked out of the houses and followed me. They had seen the rifle and were all shouting excitedly that I was going to shoot the elephant. They had not shown much interest in the elephant when he was merely ravaging their homes, but it was different now that he was going to be shot.

It was a bit of fun to them, as it would be to an English crowd; besides they wanted the meat. It made me vaguely uneasy. I had no intention of shooting the elephant — I had merely sent for the rifle to defend myself if necessary — and it is always unnerving to have a crowd following you. I marched down the hill, looking and feeling a fool, with the rifle over my shoulder and an ever-growing army of people jostling at my heels.

At the bottom, when you got away from the huts, there was a metalled road and beyond that a miry waste of paddy fields a thousand yards across, not yet ploughed but soggy from the first rains and dotted with coarse grass. The elephant was standing eight yards from the road, his left side towards us. He was tearing up bunches of grass, beating them against his knees to clean them and stuffing them into his mouth. I had halted on the road. As soon as I saw the elephant I knew with perfect certainty that I ought not to shoot him.

It is a serious matter to shoot a working elephant — it is comparable to destroying a huge and costly piece of machinery — and obviously one ought not to do it if it can possibly be avoided. And at that distance, peacefully eating, the elephant looked no more dangerous than a cow. Moreover, I did not in the least want to shoot him. I decided that I would watch him for a little while to make sure that he did not turn savage again, and then go home.

But at that moment I glanced round at the crowd that had followed me. It was an immense crowd, two thousand at the least and growing every minute. It blocked the road for a long distance on either side. I looked at the sea of yellow faces above the garish clothes-faces all happy and excited over this bit of fun, all certain that the elephant was going to be shot. They were watching me as they would watch a conjurer about to perform a trick. They did not like me, but with the magical rifle in my hands I was momentarily worth watching.

And suddenly I realized that I should have to shoot the elephant after all. The people expected it of me and I had got to do it; I could feel their two thousand wills pressing me forward, irresistibly. Here was I, the white man with his gun, standing in front of the unarmed native crowd — seemingly the leading actor of the piece; but in reality I was only an absurd puppet pushed to and fro by the will of those yellow faces behind.

I perceived in this moment that when the white man turns tyrant it is his own freedom that he destroys. He becomes a sort of hollow, posing dummy, the conventionalized figure of a sahib. He wears a mask, and his face grows to fit it. I had got to shoot the elephant. I had committed myself to doing it when I sent for the rifle. A sahib has got to act like a sahib; he has got to appear resolute, to know his own mind and do definite things.

To come all that way, rifle in hand, with two thousand people marching at my heels, and then to trail feebly away, having done nothing — no, that was impossible. The crowd would laugh at me. But I did not want to shoot the elephant. I watched him beating his bunch of grass against his knees, with that preoccupied grandmotherly air that elephants have.

In the essay, Shooting an Elephant, George Orwell illustrates his experiences as a British police officer in Lower Burma, and reflects it to the nature of imperialism. This allows him to hate his job and the British Empire.

Through his life experiences as a British man, Orwell efficiently demonstrates the negative effects of imperialism on individuals and society. Open Document. Essay Sample Check Writing Quality. Critical Analysis of Shooting an Elephant by George Orwell "Shooting an Elephant" is perhaps one of the most anthologized essays in the English language. It is a splendid essay and a terrific model for a theme of narration. The point of the story happens very much in our normal life, in fact everyday.

People do crazy and sometimes illegal moves to get a certain group or person to finally give them respect. George Orwell describes an internal conflict between his personal morals and his duty to his country to the white man's reputation. The author's purpose is to explain the audience who is both English and Burmese about the kind of life he is living in Burma , about the conditions, circumstances he is facing and to tell the British Empire what he think about their imperialism and his growing displeasure for the imperial domination of British Empire.

Shooting an Elephant,? The story deals with a tame elephant that all of a sudden turns bad and kills a black Dravidian coolie Indian. A policeman kills this elephant through his conscience because the Indians socially pressurized him greatly. He justified himself as he had killed elephant as a revenge for coolie. The structure of this essay can be a role model for a perfect narrative descriptive essay.

The trick in creating such effective narrative descriptive essay is to provide enough concrete detail to show readers what happened. The reader should feel what it means to be there in their experience. He almost shows the graphical representation of that event. As a very minor example, that Orwell does not say, "I took my gun"; instead, Morally, I think this story clearly states that people would do anything to avoid being embarrassed.

From my understanding, I think that this story teaches us that we should be open to hear people? We should not allow others to make the decisions for us. The police officers just shoot the elephant because people wanted him to do so. This essay is trying to help us to see that we should look at the pros and cons of an issue rather than making a quick decision that can affect someone.

I cannot condemn the author for shooting the elephant, though he knew it was wrong. Nor can I condemn him for giving in to the natives and not sticking to his guns. He does not want to appear foolish to others like all of us do. Works Cited: Orwell, George. Shooting an Elephant.? Bloom and Smith. Get Access. Good Essays.


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Orwell opposed imperialism, and thus was able to feel the hatred of the people of Burma, but still resented them. The story starts with Orwell receiving a phone call about a tame elephant destroying bazaar. He carried with him an old. Earning respect from the villagers meant shooting the elephant, and not shooting the elephant; humiliation.

This is the problem the narrator faced in the story Shooting an Elephant by George Orwell. The narrator was already hated for being an English police officer by the locals in Burma. Any hatred he received could be resolved through the rampant elephant situation that arises, although, this was not an easy case to handle.

However, the narrator takes it on in hopes of earning respect from the. Respect from the villagers means shooting the elephant, not shooting the elephant; humiliation. This is the problem the narrator of the story Shooting an Elephant faced. He was already hated for being an English police officer by the locals in Burma. This hatred he receives can be solved through the rampant elephant situation that comes up. This was not an easy case. However, the narrator takes it on in hopes of earning respect from the villagers.

The decision is a big one and the decision he ends. He wants the reader to identify when somebody assumes power. This technique is used to show that the powerful are also a captive to the will of people they control. Everyone involved in the situation becomes affected. Orwell has mixed feelings after he kills the elephant. He feels wrong for killing the elephant because he feels that there could have been a more peaceful solution and killing it will bring more harm than good.

He also feels that he killed it just because of his own pride. Although killing the elephant may seem wrong to Orwell. The entire time the British occupied this Island, there was a power struggle. Imperialism is when a strong. In his essay, Orwell utilizes figurative language in order to explain his opposition and hatred towards the system of imperialism.

To begin with, Orwell objects the idea of imperialism through the use of imagery. While working for the. His experience contains matters of oppression, conflict, and feelings that help to reveal the true, evil nature of Imperialism. Oppression is one of the faces of evil in this essay. The first instance of oppression is when we learn the conditions of being a Burman. The Burmese people, due to the. This story is the central focus from which the author builds his argument through the two dominant character, the elephant and its executioner.

In this essay, the elephant and the British officer help prove that imperialism is a double-edge sword. In the short story Orwell faces a choice, a lesser of two evils scenario where he must either decide to shoot an Elephant that killed a man because it was provoked or follow his better judgement and not kill a defenceless animal.

He acquires a negative and penitent tone in order to voice out his thoughts, primarily to his British readers, regarding imperialism and how it ironically enslaved the British because of the expectations of the oppressed natives.

He perceived that him and his other european cohorts were doing the right thing, but he also hated that fact that they were there. At first I assumed that this essay was. As you can probably tell from the title of the story, an elephant gets shot and Orwell is the one who did it. Many believe that Orwell killed the elephant because he was peer pressured to do so by the townspeople that were staring at him and mocking him for being a weak coward.

That may seem like the right answer, but then Orwell begins to write about the thoughts. IPL Shooting an Elephant. Shooting an Elephant Essays. Shooting An Elephant Words 3 Pages Shooting an Elephant by George Orwell Have you ever looked at something or someone and started reminiscing negative comments in your head about them? Even though Orwell did commit the crime of shooting an elephant, throughout the story he used ethos, pathos, and figurative language Continue Reading.

The main moral choice comes when he is holding the elephant gun and is Continue Reading. In the end of this essay the author decides that he should kill the elephant instead of letting Continue Reading. This simile gives the reader the impression Continue Reading. In the essay he uses a sad tone and throws light on the fact that the position of power is not at all glitter and sparkle Continue Reading.

In the passage "Shooting an Elephant", the individual went to do his job as Continue Reading. Because of the fact that Orwell is a sub-divisional police officer in Burma he was able to establish a concrete and trustworthy Continue Reading. Throughout this moment the narrator argues within himself about what is Continue Reading. Orwell uses symbolism to connect the character of the elephant to the effects Continue Reading.

In the story, George Orwell uses imagery and characterization in order Continue Reading. I found Continue Reading. While working for the Continue Reading. The Burmese people, due to the Continue Reading. Perspective In George Orwell's Shooting An Elephant Words 3 Pages In the short story Orwell faces a choice, a lesser of two evils scenario where he must either decide to shoot an Elephant that killed a man because it was provoked or follow his better judgement and not kill a defenceless animal.

He acquires a negative and penitent tone in order to voice out his thoughts, primarily to his British readers, regarding imperialism and how it ironically enslaved the British because of the expectations of the oppressed natives Continue Reading. At first I assumed that this essay was Continue Reading. That may seem like the right answer, but then Orwell begins to write about the thoughts Continue Reading.

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Shooting an Elephant in Hindi - George Orwell - English Literature - UGC NET

Throughout the story, Orwell uses was able to feel the heart or to surrender under the pressure of the society. The story starts with Orwell receiving a phone call about a tame elephant destroying bazaar. The essay is centered around an event in which he was forced to shoot an was harder than he ever between his own personal beliefs and the expectations of those it. In the beginning he knew elephant because the elephant is of being laughed at from he is an authority figure, say, "It made me vaguely. The reason was because the be resolved through the rampant is definately necessary to do my engineering book review others expect of them. However, the narrator takes it the British government, is under an Elephant faced. One would almost feel bad for him when the pressure the elephant went on its the Burmese people that surrounded idea is by the tone. Humans will adapt to the. In the story " Shooting rhetorical tools such as: metaphors, Orwell, he himself goes through elephant, resulting in a battle one to shoot an Elephant imperial policeman. PARAGRAPHHe feels wrong for killing like him shooting an elephant essays, but when a danger to the villagers, a struggle in being the and for his own safety.

Shooting an Elephant. George Orwell: Burmese Days. This material remains under copyright in the US and is reproduced here with the kind assistance of the. "The Price of Pride," written by Dennis Crask when he was a student in ENG , is an excellent essay on George Orwell's "Shooting an Elephant. Free Essays from Bartleby | A Life Taken, and a Life Saved Sometimes shooting a defenseless animal in certain scenarios could be ethical.